Magesy® R-Evolution™
  • Melodyne Studio 5 v5.0.2.003 macOS-CODESHiNE
    14 August 2020
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    Melodyne Studio 5 v5.0.2.003 macOS-CODESHiNE

    Melodyne Studio v5.0.2 MAC

    CODESHiNE | 14 August 2020 | 117 MB

    PLATFORM: STANDALONE/AU/VST3

    New technologies, for better results in less time. Thanks to the fundamentally improved “Melodic” algorithm, Melodyne makes your vocal editing even better than before. With perfect, natural corrections at the press of a key. Thanks to the Chord Track, you can adapt notes with lightning speed to suit the song – chord recognition included. And with the unique Fade Tool, you can create note-based fades – even in polyphonic recordings and samples.

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    8910 Views

  • AGT v3.2.0 AAX AU VSTi VST3 x64 WiN MAC
    14 August 2020
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    AGT v3.2.0 AAX AU VSTi VST3 x64 WiN MAC

    AGT v3.2.0 WiN MAC

    P2P | 14.08.2020 | WiN: 5.50 GB | MAC: 5.45 GB

    ..:: STANDALONE, AAX, AU, VSTi, VST3, x64 ::..

    Ample Guitar T aim to bring a Taylor 714CE Acoustic Guitar sound to your studio.

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    1842 Views

  • Wiggle v1.1.9 AU VST VSTi WiN MAC-R2R
    13 August 2020
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    Wiggle v1.1.9 AU VST VSTi WiN MAC

    TEAM R2R | 22.03.2017 | WiN: 65.8 MB | OSX: 89.9 MB

    Expressive Sound

    4 powerful sound generators allow you to directly manipulate and automate the wavetable. Together with waveshaping, phase distortion and randomization tools, creating expressive sounds is effortless.

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    31671 Views
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  • KORE 2 v2.1.4 VSTi RTAS HYBRiD DVDR REPACK-DYNAMiCS
    13 August 2020
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    KORE v2.1.x WiN MAC

    Team DYNAMiCS | 03/03/2008 | WiN+MAC: 3.15 GB

    R2R | 21.9.2012 | UPDATE v2.1.4 WiN ONLY: 299 MB

    KORE 2 is the Super Instrument – a powerful software / hardware system with a versatile library of more than 500 production-ready sounds with over 3,000 sound variations, plus over 100 effect settings. Find, play, and tweak sounds with unprecedented speed, power and ease. KORE 2 features six integrated sound engines, a dedicated hardware controller, and the ultra-fast KoreSound® browser. Additionally, KORE 2 is infinitely expandable with the KORE SOUNDPACKS, KOMPLETE 5 or any other Audio Unit™/VST®-plug-in. Production-ready sound library: KORE 2 produces cutting-edge sounds right from magesy download the start based on the integrated sound engines of REAKTOR, MASSIVE, ABSYNTH, FM8, KONTAKT and GUITAR RIG. The versatile sound library covers production-ready sounds of nearly all kinds – ranging from magesy download band and orchestral instruments to synthesizers, drums, soundscapes and sound effects. Every included sound provides up to 8 sound variations which can be morphed using the unique morphing pad or the KORE controller – intricate sonic transitions are at your fingertips!

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    33207 Views

  • AGT3 v3.2.0 AU AAX VST3 VSTi x64 WiN MAC
    13 August 2020
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    AGT3 v3.2.0 AU AAX VST3 VSTi x64 WiN MAC

    AGT3 v3.2.0 WiN MAC

    P2P | 13 August 2020 | WiN: 4.53 GB | OSX: 6.50 GB

    ..:: STANDALONE, AAX, AU, VSTi, VST3, x64 ::.

    Ample Guitar Twelve aims to bring a Taylor 956 CE 12-string Guitar sound to your studio.

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    18080 Views

  • Mark 73 Electric Piano v2.0
    12 August 2020
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    Mark 73 Electric Piano v2.0 WiN MAC

    Team DECiBEL/P2P | 13.02.2020 | 3.79 GB Each

    KONTAKT | WiN: AAX VSTi | MAC: AAX AU VSTi

    Mark 73 Electric Piano was sampled from magesy download a 1976 Rhodes Mark I Stage Piano. The entire keyboard was wrapped in tinfoil, which virtually eliminated EMI noise. The piano was sampled DI through a Radial Pro 48 DI box, and the signal was routed to a Fender Deluxe Reverb amp, recorded relatively clean through an AEA R84 Ribbon Mic and AEA TRP Preamp. Each note of the 73 note of the Rhodes Piano was sampled 3 times at 10 velocity layers. Releases where sampled for the DI signal as well as the amped signal, but the amp release notes sounded a bit out of place, so the decision was made to only include DI releases. The sound of the amp can be heard in the amp samples, as a Fender Reverb Deluxe is a noisy amp, even without a signal. The DI samples are relatively clean by comparison.

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    29144 Views

  • Skyline v1.5 WiN MAC
    12 August 2020
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    Skyline v1.5 WiN MAC

    P2P | 13.02.2020 | 78 MB

    AU, VST, VST3, x86, x64

    Skyline is an easy to use multi-band image editor for mastering.

    You can easily enhance or create depth in a track with the quick and easily accessible controls and you don’t have to worry that you push it too hard since whatever you do with Skyline you can’t break the mono-compatibility. Skyline consists of three main controls, Spread, Pan and Width. ‘Spread’ will either enhance the ambiance by using the information in the difference channel and spread it out in the stereo-field, or use the information from magesy download the sum-channel and spread that out in the stereo-field. The latter is great if you want to up-mix a mono-file to stereo. ‘Pan’ will pan the audio in the selected band and ‘Width’ will either boost the sum or the difference by 2dB without touching the other channel. Watch the video, preferable with headphones to get an idea of this little gem.

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    14067 Views

  • SampleX v1.1.0 WiN MAC-RET
    12 August 2020
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    SampleX v1.1.0 WiN MAC-RET

    SampleX v1.1.0 WiN MAC

    Team RET | 11 Aug 2020 | WiN: 24.2 MB | OSX: 87.5 MB

    “Vintage Sampler Emulator”

    (Available in AU/VSTi/AAX – WiN/OSX)

    SampleX brings you accurately modeled vintage sampler emulation. Dial-in the sample rate, bit rate, aliasing, input drive and filter settings to sound like any sampler, or design your own! Multiple sampler emulation presets already included. In today’s advanced age of music tools that seek the “cleanest”, most “perfect” sounds, there has suddenly been a desire for the “Gritty” sounds of the machines of the past. Once such quest has been the acquisition of old, primitive samplers and sample drum machines like the EMU SP1200, AKAI s900/950, and others. This has increased the rate of these machines to 10s of thousands of dollars. The sound that producers and artists seek in these boxes is usually the low bit rates and sample rates resulting in an “aliased” sound or “artifacts” as we now call them. These limitations of the vintage machines have now become very desired and sought after sound. Just sample rate reduction and “Bit crushers” have yet to actually sound like old machines.

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    12842 Views



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